With summer approaching, I'm happy to finally say that I've finished the remaining three J-dramas from 2020 that I was interested in watching, plus one that aired during the winter 2021 season! Which means it's time for a new J-drama review! I'm writing about all of these shows in the order that I finished them, and the following two were the ones I watched entirely with English subtitles.
オー！マイ・ボス！恋は別冊で (Oh! My Boss! Koi wa Bessatsu de/Oh! My Boss! Love Not Included) - TBS/2021
- To her surprise, Nami is hired as the assistant to Reiko (Nanao, 'FIRST CLASS'and 'FIRST CLASS 2'), the editor-in-chief of a fashion magazine called MIYAVI. Nami is selected by the deputy editor for this role specifically because he believes a person with no fashion sense or lofty industry aspirations will fulfill her duties earnestly, and not look down on the job as mere grunt work or a brief stepping stone toward higher places.
- Nami discovers that her friend/crush is already engaged to someone else. As she works tirelessly to meet Reiko's near-impossible demands and help make each issue of MIYAVI perfect, Nami also stumbles into a love triangle between MIYAVI's culture writer Ryota and a photographer named Junnosuke (Tamamori Yuta, 'Grand Maison Tokyo'). Junnosuke just so happens to be Reiko's younger brother.
This show is basically The Devil Wears Prada, except the characters are nicer to each other. Reiko seems cold and mean because she cares deeply about the quality of her work and doesn't entertain unnecessary conversations or people wasting her time, but she's nowhere near as cutthroat as movie villain Miranda Priestly. And unlike movie protagonist Andy (who uses her experience as Miranda's assistant to kickstart her journalism career), Nami isn't a very ambitious person at all. Nonetheless, working closely under Reiko exposes Nami to the fashion world and opens her up to the possibility of wanting more, even if she doesn't know what "more" specifically means for her yet. Tangentially, much like Stanley Tucci's character in The Devil Wears Prada, the deputy editor of MIYAVI is very clearly gay, but it feels like overkill when the actor in 'Oh! My Boss!' always holds his pinky up in every scene he's in. I'm not part of the LGBTQ community, so far be it from me to speak out of bounds, but that's the impression I got of his character. Why include such a stereotype with the pinky thing, when his styling and other mannerisms already get the point across? And speaking of the magazine! Of all the possible names to choose for a fictional fashion magazine, I'm so curious as to why the show writers chose "MIYAVI", when a very famous Japanese musician and actor named Miyavi already exists in real life. Are the show writers fans of him? Did Miyavi give some sort of approval for his name to be used in the show? I have no clue.
- People cursed with the Kyoufu Shinbun regularly receive newsletters from a supernatural source, and each newsletter predicts an imminent death (depicting the victim, manner and cause of death, date and time of death, and the perpetrator if one is involved). Each time the holder of the curse receives a newsletter, they get 100 days shaved off of their own life expectancy. The only way to be rid of the curse is to die, or to pass the Kyoufu Shinbun on to someone else by having them sign one of the newsletters.
- After her father falls victim to one of the newsletters, Shizuru works with the help of her coworker-turned-boyfriend Yusuke and her best friend Momoka to prevent more deaths from happening. But after her relationships with both of them fall apart, Shizuru continues trying to stop the curse on her own, with eventual assistance from her mom and constant hounding from a suspicious detective.
One of my favorite parts is when Shizuru discovers Yusuke cheating on her with Momoka, and she confronts both of them immediately! No dilly-dallying! She spots them at a restaurant together, calls Yusuke while looking in the window from directly outside the restaurant, catches him in a lie when he tells her he's at home, makes her presence known, and then confronts the traitors together. And then when Shizuru tells her mom about it, her mom has her back, even going so far as to nonchalantly suggest passing the Kyoufu Shinbun on to Yusuke. Shizuru is tempted to do just that, but ultimately is too compassionate of a person to go through with it. She's apparently compassionate to a fault, because even though Shizuru does resolutely break up with Yusuke and make him wait a while before taking him back, for some reason it takes her until the second to last episode (episode 6) to stop giving Momoka the benefit of the doubt and realize that her bestie truly does hate her.
All in all I'd say 'Kyoufu Shinbun' is a fascinating exploration of fate, reincarnation, atonement for past sins (even sins from a past lifetime that you didn't know you'd had), self-preservation, and human greed. Most characters who get the curse want to get rid of it so they can live longer, but two particular characters actually use the curse to profit off of being able to predict future events, which I didn't see coming! I was thoroughly entertained by this show, but I also felt genuinely sorry for the main heroine. Poor Suzuru, just trying to live her 20-somthing life on her own for the first time, only to wind up cursed and have her life put in danger. If there's any moral to be learned from 'Kyoufu Shinbun' at the end of the day, it's this: Be careful what you sign!
I've still got two more shows on this roster to write about, so don't miss part 2 of this J-drama review!
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