Part 1 of this review covered the two J-dramas I watched entirely with English subtitles, and part 2 focuses on the two shows I started out watching with no subtitles at all. (Thankfully, English subs for the latter of the following became available eventually.) Here they are!
- Each episode features a different business, ranging from restaurants and bars to a custom-made chopstick store, a one-of-a-kind suit tailor, and a printing press specializing in business cards. The main character of each episode learns about the unique quality or history behind the products that these establishments make and sell, which somehow helps said characters solve their personal dilemmas or at least gain greater perspective on them.
- The show's opening sequence invites viewers to discover "the Ginza you don't know about", encountering sites and stories that people might not expect to exist in this presumably well-known district.
As ritzy as Ginza is known to be, part of this show's charm is that it focuses on pretty regular people (read: people who are not wealthy). And it seems to be targeted at adults 20-something and up (read: working-age people who can go to Ginza and spend money after watching this show), since the themes center on grown-up relational and professional concerns. For the episodes that are about relationships, the moral is basically, "Your parents actually did/do love you, they just didn't know how to show it and they're sorry." Or, "Your parents actually did/do love you, but they showed it in a way that you couldn't understand until now." And for the episodes that are about current or future career concerns, the moral boils down to, "You can do your job better than you think, you just need the right inspiration and support." Or, "You haven't lost your talent, but maybe you need to loosen up and stop being a purist or thinking you're above it all."
My motivations for watching this show were fairly cut and dry. First, the concept reminded me of 'Blanket Cats',
another J-drama that revolves around cats and presents different,
relatively unrelated stories in each episode. And second, the obvious
tourism angle with a particular emphasis on food recalled other shows
that serve as episodic advertisements for the array of cuisines that are available in Japan (such as 'Samurai Gourmet' and 'Boukyaku no Sachiko').
If I had to say what makes 'Ginza Kuroneko Monogatari' different, it's
that this show emphasizes the craft, effort, and years of dedication
that the owners and employees of these businesses put into making each dish or item special. If you like cats, jazz music, slice of life J-dramas, or thinly-veiled tourism campaigns, then definitely give this show a try!
- It's not only Hitomi and Eiji who can't stand each other. A pair of female 20-something former idols hate each other's guts, and same goes for their two male 20-something counterparts. And a middle-aged actor who spent years in New York is constantly bickering with an elderly actor who's also an industry legend. In short, this cast is made up of four pairs of actors who refuse to get along, professionalism be darned.
- As Hitomi and Eiji weather multiple scandals and try to smooth over feuds between the other actors, they reassess their own animosities toward each other. During the three months of their show's production, they manage to form a working partnership that is shaky but promising. That is, if their lingering feelings for each other and Eiji's jealous wife (the woman he previously cheated on Hitomi with) don't get in the way.
If I had to pick a favorite from this quartet of J-dramas that comprise this review, I would say that 'Oh! My Boss!' was the easiest to watch, but my overall favorite would be 'Kyouen NG'. Simply for Suzuki Kyoka's performance as a consummate professional actress, and as a woman over 50 who's still got it!