When your best friend since 2nd grade has a Netflix account and you don't, and she invites you over to her family's house to spend the day watching What Happened to Monday and the first season of 'Stranger Things'
...and when you arrive you're greeted with a large hot honey lemon tea with two sugars from Tim Horton's, plus warm jiffy cornbread muffins that your friend made herself, plus other snacks
... and your friend insists you lay out on the big couch and lays a blanket over you that she'd warmed up in the dryer just for this occasion
...and then her parents come downstairs to join the binge-watching party, and when dinnertime comes they make hot sausages and tater tots and salad and everything is so so so good
...and you're reminded of how necessary it is to cherish people who make you feel safe and welcome and free to laugh as loudly as you please, and how necessary it is to spend time with said people
...and you're reminded that God has called all of us to LIVE, and you been slippin'.
Thank y'all.
Sunday, October 29, 2017
Monday, October 9, 2017
Scripture & Lyrics
"Hush your mouth sometime and let 'em teach you, that's law." - E-40
"Listen to advice and accept discipline, and at the end you will be counted among the wise." -Proverbs 19:20 (NIV)
Sunday, September 24, 2017
BOOKS! (Green Island + Free Food for Millionaires)
Both of these books took longer for me to read than usual, and so they ended up being my second-to-last and last reading selections for the summer. The first was recommended to me by a friend. The other is the first novel written by an author whose most recent novel I read earlier this year.
Green Island by Shawna Yang Ryan
Spanning from 1947 to 2003, this story is told by an unnamed narrator whose family is directly affected by pivotal events in Taiwanese history. She is the youngest of four children, born on the February night in 1947 when a cigarette-selling widow is violently accosted by law enforcement. This event sparks the 228 Massacre, in which government forces violently put down an uprising among Taiwanese people who protest the widow's treatment along with other grievances, including corruption and economic mismanagement.
Green Island showed me that I knew even less than I thought I knew about Taiwan, but here's the context that I gleaned from the novel, which helped me understand its plot. After Japanese colonial rule over Taiwan ceased at the end of WW2, Nationalists retreated from mainland China to Taiwan and used it as their base from which to continue their campaign to defeat the Communists and re-take all of China, aiming to unite both the mainland and the island of Taiwan under the Kuomintang (Nationalist) government. The KMT was fiercely devoted to itself and its mission, and was also incredibly insecure to the point of paranoia, constantly trying to root out enemies from within Taiwan (whether real or imaginary). It took a brutal authoritarian approach to ruling the people, so that anyone who spoke publicly in favor of democracy (the US had a military presence there at the time), who openly criticized or organized action against the government, who was denounced by their fellows in forced confessions, who was associated with the wrong people, or who was just in the wrong place at the wrong time, was liable to "disappear". The 228 Massacre set off this purge, as well as an era of martial law in Taiwan that didn't end until 1987.
The narrator's father is one of those people who "disappeared" for expressing his ideas, spending 11 years of torture and hard labor at a brutal penal colony called "Green Island". Soldiers forced the narrator's family out of their home in Taipei, but they relocated to Taichung where she spent her formative years. The narrator's personal life is a canvas on which decades of tumult are displayed: the forced forgetting of 228, her father's release from prison and continued surveillance by authorities, the completion of Taiwan's virtual loss of political existence after the US formalized relations with mainland China in 1979, the narrator's first-hand experience with KMT spies in both the US and Taiwan due to her professor husband's involvement in the resistance, and the swine flu pandemic.
Even with all its gruesome details, Green Island is a thoroughly enjoyable reading experience. I got a crash course on Taiwanese history and got to bug my friend with questions along the way, since her parents and especially her grandparents lived through the events of the book. There were times where I thought the book ran too long, as I sometimes got bored reading about the narrator's relationship with her husband, Wei (he's an insufferable man in his own special way). But I suppose that the mundane was needed to balance out the drama, and it helped build up to the novel's final act. If you want to learn about Taiwan, read this book!
Favorite quotes:
Free Food for Millionaires by Min Jin Lee
Casey Han is the eldest daughter of Korean immigrants who are devout Presbyterians and run a laundry for a living. In the 1990s, despite being a Princeton economics grad, she is jobless and still lives with her parents in Queens (Mercy from The Expatriates vibes, anyone?). The book opens with an argument between her and her father about her future, which ends with him hitting her and kicking her out of the family home. She goes to stay with her college boyfriend whom she already lives with part-time, only to catch him in the middle of a threesome. Now jobless and homeless, Casey's worst night ever is also the beginning of her journey to finding her footing as a 20-something on her own for the first time in New York City.
Being a Princeton grad and knowing a handful wealthy and well-connected people, she's never completely at a loss. There's Sabine, who runs her own department store and married rich, and thus is a Korean immigrant who's "made it", so to speak. She employs Casey on the sales floor and also acts as a surrogate mother or cool auntie of sorts, dispensing advice but also disapproving of most of her choices and not-so-subtly attempting to groom Casey into her successor. There's also Ella, a rich doctor's daughter who grew up in the same church that Casey did and always wanted to be her friend, but whom Casey ignored for years because she couldn't stand being around this girl who seems to have everything. A chance meeting between them leads to Casey living with Ella, which allows her time to get back on her feet and even leads her to getting a job on Wall Street (thanks to Ella's alpha male fiancé Ted, another man who's insufferable in his own special way).
Ella also introduces Casey to Ella's cousin Unu, a young divorcee who also works on Wall Street. They eventually start a friends-with-benefits thing, which evolves into cohabitation, which evolves into a relationship, but it's not without its problems. Money is always on Casey's mind, as she grew up poor and never seems to have enough of it to sustain herself and also pay off her mounting shopping debts and student loans. From Princeton to Wall Street, she is adept at navigating social strata in which money is no object for people, but she can never live with the sense of carefree security that they do. In contrast, Unu comes from a wealthy family and has never had to worry about money, but he has a gambling problem which, coupled with his denial and being too proud to accept Casey's help with household expenses, lands him in a deeper and deeper hole.
Min Jin Lee has this gift for taking an omniscient stance with her characters, writing from multiple points of view concurrently and getting the reader invested in the intricate details of a handful of interconnected lives, and then managing to tie up the story without leaving anyone out (see Pachinko). So there are a number of other people and incidents that influence Casey's progression from "confounded by this thing called life" to "wisened, but still confounded by this thing called life", but I'll leave them for you to discover. If you're having a quarter-life crisis or any similar crisis of existence, and if you like reading about plucky women who are their own people, read this book!
Favorite quotes:
Green Island by Shawna Yang Ryan
Spanning from 1947 to 2003, this story is told by an unnamed narrator whose family is directly affected by pivotal events in Taiwanese history. She is the youngest of four children, born on the February night in 1947 when a cigarette-selling widow is violently accosted by law enforcement. This event sparks the 228 Massacre, in which government forces violently put down an uprising among Taiwanese people who protest the widow's treatment along with other grievances, including corruption and economic mismanagement.
Green Island showed me that I knew even less than I thought I knew about Taiwan, but here's the context that I gleaned from the novel, which helped me understand its plot. After Japanese colonial rule over Taiwan ceased at the end of WW2, Nationalists retreated from mainland China to Taiwan and used it as their base from which to continue their campaign to defeat the Communists and re-take all of China, aiming to unite both the mainland and the island of Taiwan under the Kuomintang (Nationalist) government. The KMT was fiercely devoted to itself and its mission, and was also incredibly insecure to the point of paranoia, constantly trying to root out enemies from within Taiwan (whether real or imaginary). It took a brutal authoritarian approach to ruling the people, so that anyone who spoke publicly in favor of democracy (the US had a military presence there at the time), who openly criticized or organized action against the government, who was denounced by their fellows in forced confessions, who was associated with the wrong people, or who was just in the wrong place at the wrong time, was liable to "disappear". The 228 Massacre set off this purge, as well as an era of martial law in Taiwan that didn't end until 1987.
The narrator's father is one of those people who "disappeared" for expressing his ideas, spending 11 years of torture and hard labor at a brutal penal colony called "Green Island". Soldiers forced the narrator's family out of their home in Taipei, but they relocated to Taichung where she spent her formative years. The narrator's personal life is a canvas on which decades of tumult are displayed: the forced forgetting of 228, her father's release from prison and continued surveillance by authorities, the completion of Taiwan's virtual loss of political existence after the US formalized relations with mainland China in 1979, the narrator's first-hand experience with KMT spies in both the US and Taiwan due to her professor husband's involvement in the resistance, and the swine flu pandemic.
Even with all its gruesome details, Green Island is a thoroughly enjoyable reading experience. I got a crash course on Taiwanese history and got to bug my friend with questions along the way, since her parents and especially her grandparents lived through the events of the book. There were times where I thought the book ran too long, as I sometimes got bored reading about the narrator's relationship with her husband, Wei (he's an insufferable man in his own special way). But I suppose that the mundane was needed to balance out the drama, and it helped build up to the novel's final act. If you want to learn about Taiwan, read this book!
Favorite quotes:
"When I got older, I still thought I could write life. I didn't understand, as my mother had just realized that evening, that it is the other way around. And yet, here I am, still trying" (90).
"Wei had told me a gentler era was encroaching upon Taiwan. Brutality belonged to the previous decade. Does brutality ever get old? I wondered. Each generation brings a new group of men who have not yet learned the guilt of the last. They need to feel bones breaking under their very own fingers to know for sure how they feel about it" (333).
"We are curious creatures, we Taiwanese. Orphans. Eventually, orphans must choose their own names and write their own stories. The beauty of orphanhood is the blank slate... 'The country is broken, but the mountains and rivers remain'... We are the mountains and rivers, no matter what the country is called" (372).
Free Food for Millionaires by Min Jin Lee
Casey Han is the eldest daughter of Korean immigrants who are devout Presbyterians and run a laundry for a living. In the 1990s, despite being a Princeton economics grad, she is jobless and still lives with her parents in Queens (Mercy from The Expatriates vibes, anyone?). The book opens with an argument between her and her father about her future, which ends with him hitting her and kicking her out of the family home. She goes to stay with her college boyfriend whom she already lives with part-time, only to catch him in the middle of a threesome. Now jobless and homeless, Casey's worst night ever is also the beginning of her journey to finding her footing as a 20-something on her own for the first time in New York City.
Being a Princeton grad and knowing a handful wealthy and well-connected people, she's never completely at a loss. There's Sabine, who runs her own department store and married rich, and thus is a Korean immigrant who's "made it", so to speak. She employs Casey on the sales floor and also acts as a surrogate mother or cool auntie of sorts, dispensing advice but also disapproving of most of her choices and not-so-subtly attempting to groom Casey into her successor. There's also Ella, a rich doctor's daughter who grew up in the same church that Casey did and always wanted to be her friend, but whom Casey ignored for years because she couldn't stand being around this girl who seems to have everything. A chance meeting between them leads to Casey living with Ella, which allows her time to get back on her feet and even leads her to getting a job on Wall Street (thanks to Ella's alpha male fiancé Ted, another man who's insufferable in his own special way).
Ella also introduces Casey to Ella's cousin Unu, a young divorcee who also works on Wall Street. They eventually start a friends-with-benefits thing, which evolves into cohabitation, which evolves into a relationship, but it's not without its problems. Money is always on Casey's mind, as she grew up poor and never seems to have enough of it to sustain herself and also pay off her mounting shopping debts and student loans. From Princeton to Wall Street, she is adept at navigating social strata in which money is no object for people, but she can never live with the sense of carefree security that they do. In contrast, Unu comes from a wealthy family and has never had to worry about money, but he has a gambling problem which, coupled with his denial and being too proud to accept Casey's help with household expenses, lands him in a deeper and deeper hole.
Min Jin Lee has this gift for taking an omniscient stance with her characters, writing from multiple points of view concurrently and getting the reader invested in the intricate details of a handful of interconnected lives, and then managing to tie up the story without leaving anyone out (see Pachinko). So there are a number of other people and incidents that influence Casey's progression from "confounded by this thing called life" to "wisened, but still confounded by this thing called life", but I'll leave them for you to discover. If you're having a quarter-life crisis or any similar crisis of existence, and if you like reading about plucky women who are their own people, read this book!
Favorite quotes:
"'The funny thing is that if you were a millionaire like some of these managing directors shaking down seven figures a year, you'd have known to push your way ahead and fill up your plate. Rich people can't get enough of free stuff... So, this is the game, Casey. You have to take what's offered'... She'd pretended to be otherwise to be ladylike and had moved away from the table to be agreeable, and now she'd continue to be hungry" (91-92).
"No explanation was necessary. They were collecting Mr. Jun's departing gift... Even if one Korean was nothing in this strange land, a church full of Koreans meant something to each other, and they intended to care for their own" (322).
"You can be grateful and angry. Such feelings can coexist" (494).
Sunday, August 20, 2017
ドラマ (Dorama) Time! 18
Summer is almost over, I've got my summer Jdrama selections lined up, but I'm just now finishing my shows that aired in the spring. What else is new? Here are the two shows that I watched with English subtitles from spring 2017:
リバース (REVERSE) - TBS/2017
At the center of 'REVERSE' is Fukase, a man who graduated from a prestigious university 10 years ago but doesn't lead a very prestigious life. His best and only friend during his college days was a guy named Hirosawa. During their senior year, Fukase, Hirosawa, and three of Hirosawa's friends went on a snowboarding trip that ended in Hirosawa's death. Though it's unclear who was directly responsible, the four remaining friends know that it wasn't a simple accident but don't discuss it for fear of incriminating themselves. All seems to be forgotten until ten years later (the present), when Fukase and the other three start receiving ominous letters and realize that their lives and reputations are being tampered with. Someone hasn't forgotten about Hirosawa, and they're determined to punish his friends until the truth comes out.
There's a coffee motif that seems innocuous; making coffee is Fukase's hobby, and numerous scenes take place at a cafe which he frequents and is also where he meets his girlfriend Mihoko. But coffee also ends up being integral to figuring out the whodunnit. For a stretch, the mystery of how Hirosawa died takes a slight backseat to the mystery of who's been stalking and threatening his friends, but the reveals for both are quite satisfying. I was shocked not once, but twice.
I enjoyed the show way more than I'd expected to, and I was especially impressed by Toda Erika's performance as Mihoko. I saw her in 'Taisetsu na Koto ga Subete Kimi wa Oshiete Kureta' (2011) a long time ago and apparently she was in 'Summer Nude' as well, but I wasn't aware of her as an actress then. Hers was the most multi-faceted character in the show. Also shoutout to actress YOU ('Going My Home', 'Mondai no Aru Restaurant') who plays the owner of Fukase's favorite cafe.
母になる (Haha ni Naru/Becoming a Mother/My Son) - NTV/2017
This show was a bit of a 'FIRST CLASS' reunion, which is why I watched it. Itaya Yuka and Sawajiri Erika go from mentor-mentee in the fashion world to best friends and professors' wives in 'Haha ni naru'.
Yui (Sawajiri Erika) and Yoichi live a normal and happy life with their 3-year-old son Kou, until the day that Kou is kidnapped by a disgruntled student of Yoichi's. They search doggedly for their son, but to no avail. The loss and public backlash that they face ruptures their lives and ends their marriage. Nine years later, a case worker at a boys' home realizes one of the residents is in fact Kou, now 12 years old. Kou was abandoned in a squalid apartment and found by the next door neighbor, Asako (Eiko Koike from 'STARMAN'). Starved for love and having been jilted by her lover, Asako raised Kou as her own rather than taking him to the police. One day she dropped Kou off at the boys' home without an explanation, and he'd already been living there for two years when the case worker reunites him with Yui. While Yui and Yoichi's family reunites around Kou, the show mostly focuses on Yui and Kou's relationship and how they both deal with Asako. Kou essentially has two moms, and the question of what makes someone a mother is brought up numerous times.
There's a segment in episode 10 that shows Asako going to therapy and acknowledging the events and psychological issues in her life that led her to do what she did. It's only about two and a half minutes long but I appreciated it, given that mental illness is one of many taboos in Japan, and mental health services there leave a lot to be desired, from what I've read. 'Haha ni Naru' is like 'Hajimemashite, Aishitemasu' in that it explores alternative forms of parenthood with some depth and is willing to explore the ugly and uncomfortable.
Though I'm not familiar with much of her work, I have to say that I'm a little proud of Eiko Koike. I remember her playing the busty forever-single best friend in 'STARMAN' who was hardly more than comic relief, and here she is getting to flex her dramatic chops as a troubled yet pivotal character.
I finished 'REVERSE' weeks ago and finished 'Haha ni Naru' literally just before I started writing this post. My memory of the former is a little foggier but it left a stronger impression on me, so I pick 'REVERSE' as my favorite of the two.
Saturday, August 19, 2017
Little Elephant
A little over a month ago, literally right before we hit the road for Michigan after our family reunion weekend, on the day that also happened to be my natural hair anniversary... I got my first tattoo.
So my cousin and I agreed that when I came back to Louisville three weeks later for the family reunion, we'd get tattooed together. An initiation for me, a seventh (eighth? ninth?) go-round for her, and a bonding experience for us both. She'd arrange everything. In the meantime, I turned to my college friend Irene Li to draw a design for me. I had an idea for the tattoo and knew where I wanted it to be, but didn't have the skills to actually put it together. Irene's in the Bay and I'm in Michigan, so we went back and forth for a week through FB messenger, going over ideas and reviewing sketches that she came up with. And in the end she came up with something perfect!Cut to Monday morning after family reunion weekend when my cousin, my mom, and I went to Committed Ink Studios to do the deed. My cousin had already decided not to get another tattoo after all, but I was so committed (teehee, puns) to the design now that I was determined to go through with it. Lou, the owner of the shop, was focused, quick, and extremely affordable. A talented man and a true artist! Ma and my cousin watched. It hurt, my palms got sweaty, but I only winced inwardly and I didn't cry. And again, the result was perfect!
I'd done something that I couldn't take back, and I hit the road for home feeling more grateful and satisfied than I had in a long time. Even now I still stare at my arm in wonder multiple times a day. At first I was awed by the fact that this part of my skin is forever changed, like Wow, did I really do this? But after that wore off, a different feeling began to surface. Pride. I'm proud of my tattoo. Nearly my whole life I've gotten through the day by dissociating myself from my body as much as possible. This isn't the real me. This is how my body happens to look now, but once I finally manage to look different, then I'll really be my true self. The self I was meant to be all along. I've realized that getting this tattoo was an act of acknowledging and claiming ownership of my body in a way that I've never done before. This isn't a provisional me. I am what I am at this moment. And this image carved into my skin is forever. (Shoutout to my friend Dany at The Dear Body Project for inspiring me to reflect on myself this way). To be honest, the enthusiasm doesn't really extend past my left wrist, but it's a start. And now I have a personal, custom-designed, permanent reminder.
Oh, and what does the tattoo mean, you ask? Well. I've loved elephants since I was little. It's holding a quill, which is a reminder to me to keep creating things, even if I don't have the courage to share my stuff. The feather is red to represent the city of Louisville where my mom and her family are from. Coincidentally (totally unplanned!) the shape and lines are reminiscent of Rafiki's painting of baby Simba, and The Lion King is my favorite movie of all time.
Thank you Kayla, Irene, Lou, Ma, and Dany.
Sunday, August 6, 2017
BOOKS! (The Brief Wondrous Life of Oscar Wao + Not Too Far from China)
Today I've got a Pulitzer-winning novel that I eyed many times back when I worked at a bookstore, but only decided to buy a few months ago. I've also got the second poetry collection from an artist I met at the inaugural Detroit Festival of Books (Detroit Bookfest).
The Brief Wondrous Life of Oscar Wao by Junot Díaz
Junot Díaz managed to educate me about Dominican history and culture AND tell me about myself in the same novel, so it took me longer to get through it than I otherwise would. The similarities between me and Oscar kept piling up, and things just got too real for me to simply take a leisurely stroll through this book.The son of a single mom who emigrated from the Dominican Republic at the end of the Trujillo era, Oscar spends most of his life as an outcast in his hometown of Paterson, New Jersey. Be it for his obscure references, lofty way of speaking or his dearth of "normal" Dominican male characteristics, he is ridiculed by most people he interacts with. Oscar is a fat nerd, a gifted writer, and an awkward hopeless romantic who is oft-rejected and prone to depressive episodes.
Most of the novel is narrated by Yunior, a fellow Dominican-American guy who used to be Oscar's roommate at Rutgers and also dated Oscar's sister Lola for years. Yunior and his friends called him "Oscar Wao" in college after making a correlation between his chubbiness and that of the prolific writer, Oscar Wilde. Hence, The Brief Wondrous Life of Oscar Wao. After a tumultuous undergraduate career at Rutgers which included two suicide attempts, Oscar graduates and works as a teacher at his old high school, re-entering the hell that is daily teenage cruelty. Feeling like his life is going nowhere, he uncharacteristically joins his mom and sister on a summer stay in the DR, visiting relatives. During this time he falls in love with a prostitute who is also his family's neighbor, and having finally tasted love, he's willing to die pursuing it. Literally, die.
If nothing else, Yunior (and by Yunior I really mean Junot Díaz) is exceptionally thorough. I thought I was cracking open a simple story about an anguished Afro-Latino youth, and ended up diving headfirst into a family history, footnotes included! You can't tell Oscar's story without also telling his sister's (his only tried and true friend). Can't tell either of their stories without telling how their mother ended up leaving the DR, and for that you have to start all the way back from her childhood. Can't mention Beli's childhood without telling how she became an orphan. Can't tell that story without telling how her immediate family was destroyed by the dictatorial Trujillo regime, seemingly cursing the family forever. And you can't tell that story without explaining who Trujillo was, and how he ruled selfishly and brutally over the DR for 30 years, seemingly cursing the island forever. In Oscar's family alone there are experiences shared between generations, such as betrayal by authorities, visions of men without faces, beatdowns in cane fields, being led back to life by mongooses, and devotion to lovers or would-be lovers who never truly love you back.
The Brief Wondrous Life of Oscar Wao is, in a word, magnificent. It taught me so much about the Caribbean and reminded of some personal "stuff" that I've persisted in not dealing with sufficiently. Even now, I am left with a sense of awe and gratitude. Read it, y'all! Just read it!
Favorite quotes:
Not Too Far from China: A Poetic Escape by Zuri McWhorter
Full disclosure, the Detroit Bookfest was and is a great idea, but everyone severely underestimated what the turnout would be. Rather than hundreds, there were likely thousands of people who floated through the event that day. So it was more of a hustle to find good reads while staying out of people's way, rather than the casual book-perusing experience that I'd expected. But anywhooo.
I chanced upon a novel called Beijing Doll at the table of Zuri McWhorter, and on that same table she had stacks of her own work which included Not Too Far from China. I was too shy to chat with her, but she seemed like a dope person, her poetry collection seemed interesting, and her typewriter logo and stickers looked cool, so I bought both books.
Most of the poems are about the unspoken subtleties of relationships, self awareness and self doubt, the sensations of being alive. A young black creative soul wandering through life. This entire "poetic escape" is remarkably observant and sincere. Support this independent, native Detroiter, WOC artist and order this poetry collection!
Favorite quotes:
The Brief Wondrous Life of Oscar Wao by Junot Díaz
Most of the novel is narrated by Yunior, a fellow Dominican-American guy who used to be Oscar's roommate at Rutgers and also dated Oscar's sister Lola for years. Yunior and his friends called him "Oscar Wao" in college after making a correlation between his chubbiness and that of the prolific writer, Oscar Wilde. Hence, The Brief Wondrous Life of Oscar Wao. After a tumultuous undergraduate career at Rutgers which included two suicide attempts, Oscar graduates and works as a teacher at his old high school, re-entering the hell that is daily teenage cruelty. Feeling like his life is going nowhere, he uncharacteristically joins his mom and sister on a summer stay in the DR, visiting relatives. During this time he falls in love with a prostitute who is also his family's neighbor, and having finally tasted love, he's willing to die pursuing it. Literally, die.
If nothing else, Yunior (and by Yunior I really mean Junot Díaz) is exceptionally thorough. I thought I was cracking open a simple story about an anguished Afro-Latino youth, and ended up diving headfirst into a family history, footnotes included! You can't tell Oscar's story without also telling his sister's (his only tried and true friend). Can't tell either of their stories without telling how their mother ended up leaving the DR, and for that you have to start all the way back from her childhood. Can't mention Beli's childhood without telling how she became an orphan. Can't tell that story without telling how her immediate family was destroyed by the dictatorial Trujillo regime, seemingly cursing the family forever. And you can't tell that story without explaining who Trujillo was, and how he ruled selfishly and brutally over the DR for 30 years, seemingly cursing the island forever. In Oscar's family alone there are experiences shared between generations, such as betrayal by authorities, visions of men without faces, beatdowns in cane fields, being led back to life by mongooses, and devotion to lovers or would-be lovers who never truly love you back.
The Brief Wondrous Life of Oscar Wao is, in a word, magnificent. It taught me so much about the Caribbean and reminded of some personal "stuff" that I've persisted in not dealing with sufficiently. Even now, I am left with a sense of awe and gratitude. Read it, y'all! Just read it!
Favorite quotes:
"The next day he woke up feeling like he'd been unshackled from his fat, like he'd been washed clean of his misery, and for a long time he couldn't remember why he felt this way, and then he said her name" (40).
"Beli, who'd been waiting for something exactly like her body her whole life, was sent over the moon by what she now knew. By the undeniable concreteness of her desirability which was, in its own way, Power... Telling Beli not to flaunt those curves would have been like asking the persecuted fat kid not to use his recently discovered mutant abilities. With great power comes great responsibility... bullshit. Our girl ran into the future that her new body represented and never ever looked back" (94).
"Nothing else has any efficacy, I might as well be myself.
But yourself sucks!
It is, lamentably, all I have" (174).
Not Too Far from China: A Poetic Escape by Zuri McWhorter
Full disclosure, the Detroit Bookfest was and is a great idea, but everyone severely underestimated what the turnout would be. Rather than hundreds, there were likely thousands of people who floated through the event that day. So it was more of a hustle to find good reads while staying out of people's way, rather than the casual book-perusing experience that I'd expected. But anywhooo.
I chanced upon a novel called Beijing Doll at the table of Zuri McWhorter, and on that same table she had stacks of her own work which included Not Too Far from China. I was too shy to chat with her, but she seemed like a dope person, her poetry collection seemed interesting, and her typewriter logo and stickers looked cool, so I bought both books.
Most of the poems are about the unspoken subtleties of relationships, self awareness and self doubt, the sensations of being alive. A young black creative soul wandering through life. This entire "poetic escape" is remarkably observant and sincere. Support this independent, native Detroiter, WOC artist and order this poetry collection!
Favorite quotes:
"I'm ready to forgive
My heart and hands
For holding on too tight
To draw a straight line
From a thought
To an action" (from "Out of Pocket")
"Now,
I may deteriorate
in peace;
tear down these haunted hallways
let the library get some sun
breathe in dusty thoughts,
interrogate the chipping walls
Later,
I may redecorate;
hopefully, still at peace" (from "Deteriorate")
"in coils, her
voice bounced
in the air and hung
around
rows of weeping
willows overflowed
with joy and encouraged
the earth
to do the same" (from "Cornwall")
Thursday, August 3, 2017
Someday...
This is what I'd do,
I'd stay at home (stay at home)
Locked up in my room
With all the windows and doors shut tight
But now I'm free (now I'm free)
I can go where I want to be
And know that everything's alright
The Winans, "Goodness Mercy and Grace"
I'd stay at home (stay at home)
Locked up in my room
With all the windows and doors shut tight
But now I'm free (now I'm free)
I can go where I want to be
And know that everything's alright
The Winans, "Goodness Mercy and Grace"
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